The Chocolate Dandies 1928-33 / The Jazz Makers

こんばんは、今夜もclassicです。

The Chocolate Dandies 1928-33 / The Jazz Makers
Swaggie Records S1249

A
1  Cherry
2  Paducah
3  Stardust
4  Birmingham Breakdown
5  Four or Five Times
6  That's How I Feel Today
7  Six or Seven Times
8  Goodbye Blues
B
1  Cloudy Skies
2  Got Another Sweetie Now
3  Bugle Call Rag
4  Dee Blues
5  Blue Interlude
6  I Never Knew
7  Once Upon A Time
8  Krazy Kapers

A1  1929 September 29, NYC 
The Big Aces
Tommy Dorsey, Nat Natoli (tp), Jack Teagarden (tb), Don Redman, Jimmy Dorsey (cl,as), Frank Teschmecher (cl,ts), George Thomas (ts,vo), Frank Signorelli (p), Carl Kress (g), Hank Stern (tuba), Stan King (ds)

A2,3,4,5  1928 October, 10 NYC
The Chocolate Dandies
Langston Curl, John Nesbit (tp), Claude Jones (tb), Don Redman Milton Senior (as,cl), George Thomas, Prince Robinson (cl,ts), Todd Rhodes (p), Dave Wilborn (bjo), Lonnie Johnson (g), Ralph Escudero (tuba), Cuba Austin (ds)

A6,7  1929 September 18, NYC
The Chocolate Dandies
Rex Stewart (cor), Leonard Davis (tp), J.C.Higginbotham (tb), Don Redman, Benny Carter (cl,as), Fats Waller (p), unknown (bjo), Cyrus St. Clair (tuba), George Stafford (ds)

A8  1930  December 3, NYC
The Chocolate Dandies
Bobby Strak (tp), Jimmy Harrison (tb), Benny Carter (cl,as), Coleman Hawkins (ts), Horace Henderson (p), Benny Jackson (g), John Kirby (b)

B1,2,3,4  1930 December 31, NYC
The Chocolate Dandies
Bobby Strak (tp), Jimmy Harrison (tb), Benny Carter (cl,as), Coleman Hawkins (ts), Horace Henderson (p), Benny Jackson (g), John Kirby (b)

B5,6,7,8  1933 October 10, NYC
The Chocolate Dandies
Max Kaminsky (tp), Benny Carter (tp,as,cl), Floyd O'Brien (tb), Chu Berry (ts), Teddy Wilson (p), Lawrence Lucie (g), Ernest Hill (b), Sid Catlett (ds),
Mezz Mezzrow (ds on B8)

Chocolate DandiesとはDon RedmanとBenny Carterが使っていたバンド名で、全て臨時編成の録音のためのものでした。1930年代前半の有名黒人ミュージシャンに白人を加えた構成が一般的です。A1などはほとんど白人ですし、Hawkinsが加わったSessionは全員が黒人です。それにしてもこの2つのSessionともにdsが居ないのはどうしたわけｄしょう？
1933年のsessionはCarter, Berry, Wilson等が活躍し、だいぶ新しい感じがします。
A7は後にBasieのOne O'Clock JumpのSecond Riffとなった曲です。